Much ado about almost nothing reading answers

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much ado about almost nothing reading answers

Much Ado About Nothing by William Shakespeare

Much Ado About Nothing, abridged.

CLAUDIO: So, um, Hero, I sorta maybe like you a whole lot will you go to the prom with me?

HERO: We should get married! Squeeeeeee!

BEATRICE: Pfft. Love is for stupid losers who are stupid.

BENEDICK: You know, you might get laid more often if you weren’t such a cynical bitch all the time.

BEATRICE: Fuck you.

BENEDICK: Get in line, sugartits.

*audience is beaten over the head by sexual tension*

DON PEDRO: Hey everybody, I had a great idea! Let’s make Beatrice and Benedick fall in love!

EVERYONE: YAY! MEDDLING!

PRINCE JOHN: So, I think I’m going to break up Claudio and Hero.

BORACHIO: Really? That’s your dastardly scheme? How do we possibly benefit from that?

PRINCE JOHN: No, see, I don’t like Claudio because my half-brother likes him, and I hate my half brother, so…wait. Okay, so it’s actually a really pointless plan that only serves to create conflict. But it’s the only way I get any good scenes in this thing, so MISCHIEF AHOY!

BORACHIO AND CONRADE: YAY!

BEATRICE: Hey Benedick, you still suck donkey balls.

BENEDICK: I fart in your general direction! Now go away or I shall taunt you a second time!

BEATRICE: I dont want to talk to you no more, you empty-headed animal food trough wiper!

PRINCE JOHN: So guess what Claudio? Your woman totally cheated on you. I saw, I was there.

CLAUDIO: OMG I HATE THAT WHORE.

DON PEDRO: Despite the fact that he’s a bastard in all senses of the word and has no reason to be helping me or my friends, I think we should believe John without proof or even asking Hero’s side of the story.

CLAUDIO: Hero, you’re a shameless whore and I hate your stupid face!

EVERYONE: WTF?!

PRIEST: Great job, now Hero’s dead from sad.

CLAUDIO: OMG I AM SO REMORSEFUL. FORGIVE ME, DEAD HERO!

HERO: Pysche! I’m really okay!

BEATRICE: Luckily THIS time the priest’s idea to fake a girl’s death to solve all her problems actually worked, instead of backfiring horribly.

BENEDICK: Hey, that’s pretty funny. You know, I guess you’re not that bad. I think I love you, and stuff.

BEATRICE: Yeah, I guess I kind of love you too.

ANTONIO: Close enough. Now off to kill Prince John!

EVERYONE: YAY!

THE END.
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Much Ado about Nothing Short Answer Test - Answer Key

The public outcry over genetically modified foods offers several lessons for those working and investing in nanotechnology. Intense and consistent economic sabotage and intimidation are what will make the commercialisation of GM crops an unattractive option. The strength of public disapproval of genetically modified organisms GMO s was a shock and a surprise to most of those involved. Now, some people are wondering whether nanotechnology—a term that covers the manipulation of matter at scales of a millionth of a millimetre—could be in for similar treatment and, if so, whether there are lessons that its protagonists can learn from the public backlash against biotechnology. In a neglected corner, amid thousands of participants at Nanotech , a conference held in Boston last week, Jeffrey Matsuura, a law professor at the University of Dayton, in Ohio, stood next to his unprepossessing poster of his work. His warning, however, was pertinent to everyone there—especially the investors who were scouring the conference for opportunities. And this is that several of the factors that created a public backlash against biotechnology are already at work within nanotechnology.

Jun 8, ieltsdata-reading-passagemuch-ado-about-almost-nothing "THE NO MORE THAN THREE WORDS from the passage for each answer.
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Within this symmetrical structure, we might expect the good Prince to be open and honest, while Don John and his cronies will be duplicitous. By contrast, Don John seems weary at the thought of disguise. Shakespeare takes up this notion in the tragedy of King Lear , with another pair of half-brothers. We are forced to recognise that honesty can be malevolent, disguise can be well meaning, and seemingly innocent costumes can conceal dark purposes. In place of clear oppositions, Shakespeare blurs the lines between truth and fabrication, identity and performance, knowledge and misunderstanding. A topsy-turvy scene of masks and disguises in a Flemish oil painting of Rather than moralising on the evils of deception, the masked ball in Much Ado About Nothing encourages us, from the outset, to relish the joy of trickery.

A The blue plaques scheme has been running for over years and is one of the oldest of its kind in the world. If had an immediate impact on the public imagination, and in the Society of Arts later Royal Society of Arts founded an official plaques scheme. The Society erected its first plaque — to the poet Lord Byron — in In all, the Society of Arts erected 35 plaques; today, less than half of them survive, the earliest of which commemorates Napoleon III In , the plaques scheme was taken over by London County Council LCC , which erected nearly plaques over the next 64 years and gave the scheme its popular appeal. It was under the LCC that the blue plaque design as we know it today was adopted, and the selection criteria were formalised.

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