William Rothenstein and His Circle by Sarah MacDougallSumptuously illustrated with 66 full color and 6 black-and-white illustrations including paintings, drawings and lithographs from both public and private collections, this publication accompanies Ben Uris first major exhibition on Sir William Rothenstein (1872 1945) and his circle. Spanning six decades of British art, it explores Rothensteins career and influence within the context of his (mostly younger) contemporaries including Barnett Freedman, Mark Gertler, Eric Kennington, Jacob Kramer, Albert Rutherston and Alfred Wolmark, who were all either directly influenced by or worked alongside him. Contents: 1 Samuel Shaw The Ideal behind the Real: William Rothenstein, Alfred Wolmark and the representation of the Whitechapel Jew, c. 1905-08 2 Sarah MacDougall Apropos the Younger Generation: William Rothenstein and Mark Gertler 3 Rachel Dickson From Atonement to Public Adornment: Jacob Kramer and William Rothenstein 1911-22 4 Jonathan Black Eric Kennington and William Rothenstein and the landscape of the Western Front, 1917-19 Catalogue of 38 illustrated works with accompanying texts and extra contextual works Timeline; Exhibitions list; Select Bibliography; Artists biographies; Index; Copyright and credits.
Richard Long - Red Slate Circle - Tate Britain - London - September 2016
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License this image. Rothenstein was one of the principal artistic links between the younger, avant-garde artists in London and Paris in the s, and this is his most important surviving work from that period. This drawing was included in the exhibition, where it attracted some press attention and was admired by Whistler and Degas, who sent word that Rothenstein should call on him. This picture shows the strong influence of Puvis de Chavannes' paintings of the poor, which were admired in England as well as in Paris. The model in this picture brought Rothenstein two paintings by Puvis which she wanted to sell, but Rothenstein's allowance did not cover their cost, and so Studd bought them. Rothenstein wrote that 'In appearance this model recalled a phrase of Henry James': "The wanton was not without a certain cadaverous beauty. The gold painted background of this drawing is unusual.
Use the events or the venues search to find listings near a location. London, United Kingdom. Save Event : Rothenstein's Relevance. Examining the work of Sir William Rothenstein and his circle. Add to my calendar Exhibition: Rothenstein's Relevance.