A Challenge For The Actor by Uta HagenTheoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself -- and to do so takes an insatiable curiosity about the human condition.
from the Prologue
Uta Hagen, one of the worlds most renowned stage actresses, has also taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her new book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actors goals and examines the specifics of the actors techniques. She goes on to consider the actors relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation.
But perhaps the most useful sections in this book are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actors physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination.
The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.
Respect for Acting, 2nd Edition
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Here in the Tollbooth we revere character driven novels.
journeys riding freedom comprehension questions
This blog is an attempt to organize my mind when it comes to media. It will focus on print media and all things I read, whether it be fiction, comic books, internet articles or theory. It will couple with my newly resurrected other blog that focuses on moving media. The separation of motion based and print based media is purely organizational. Both will function to synthesize my creativity and production oriented goals with my research.
Search terms:. Acting with Albert Basserman. He only began to play fully in first dress rehearsal. And neither should you be. Presentational — trusts a form will result from identification with the character. I apologise.
Uta Hagen is a genius, and Respect for Acting is undoubtedly ingenious. Basically, there are two kinds of actors. The representational actor imitates a characters behavior. They think of their physicality at all times, they try to make the faces their character would make; they try to act like them. The presentational actor focuses less on how they are coming across, and believes that they will portray their character correctly when they can find their character in themselves. This is where she expands on the more truthful actor: the presentational one.