Love Him or Leave Him, But Dont Get Stuck With the Tab: Hilarious Advice for Real Women by Loni LoveRead my full review: http://bit.ly/129iMX7
My opinion: Being a fan of the Chelsea Handler group, I recently had the opportunity to review Josh Wolfs new book, It Takes Balls. Both of these books have garnered VERY rare 5 star reviews from me, but for VERY different reasons.
I have to be honest, I dont feel that the book jacket description for this book serves it justice. I found Ms. Loves book to be incredibly insightful with advice that woman are starving for in todays world of our young women putting their future, financial and otherwise on the back burner. While I didnt find the book as funny as I thought it would be, she makes up with it with incredibly enlightening and empowering advice targeted towards our young women. I firmly believe that this is a book that should be read by all young women and if this is the type of advice she gives, her upcoming show will be a huge success.
That isnt to say that this book isnt funny, but I found the advise given by her jaw dropping paramount to the humor. Ms. Love masterfully uses humor to support her very serious life advice masterfully.
I will say it again...this book truly was not what I was expecting. I have to be honest...I was expecting a funny (come on, Loni Love is HILARIOUS), but pretty brainless written stand-up routines. I guess the old adage of never judge a book by its cover (or judge a comedian by her routine) applies here!
I Was Made To Love Her - Bass Tab
Tags: love to was. May 12, 1. Feb 8, Wauseon, Ohio. I am attempting to get this song down. Does anybody have any experience with learning this song? The amazing James Jamerson has got me obsessed with this song.
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For bass guitar with tab
AJ himself dissects Jamerson's style and it's influence on his own playing in the highly recommended book Standing in the Shadows of Motown. Chord-wise, I generally notate what the band plays as a whole, which can give rise to some involved looking symbols due to band members adding in their own extensions to enhance simple chords and progressions. However, it's likely that the charts used by the musicians on these sessions were much plainer fare. While AJ is happy to retain the gist of the original tune's main riffs he gives a nice twist to Jamerson's rising arpeggio figures over Bb7 and C7, first seen in bar 7. Chaka's version is in D, whereas the original was played in F. While Jamerson was content to outline a simple root-third-fifth triad on both chords Db to Eb in the original , AJ, instead of playing a straight rising triad on the Bb7, opts to dive to the major 3rd below the root, emphasizing the low detuned D and giving the song considerable more weight than the Stevie Wonder version.
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