In-Depth Acting by Dee CannonI was back and forth on this book a few times, but its a pretty good source for new actors. Cannon breaks down the Stanislavski/Meisner method of creating a character in a series of easy to understand exercises.
On the flip side, she suggests a lot of techniques that I completely disagree with. She focuses too much on using personal memory to create emotion, along with promoting the use of objects from your past. For example, if you are supposed to be upset in a scene, she recommends you find an object, such as a love letter from an ex, that makes you feel upset.
This is problematic in several ways. Objects lose their power over time, something that makes you upset now wont necessarily do the job after a few uses, at which point youll have to find another object. What happens when you run out of objects? Youll have grown to rely on them to create the emotion for you instead of learning how to do it yourself. Youll never grow as an actor as long as you use crutches like this.
She also waxes lyrical about the benefits of going to drama school, dedicating an entire chapter to it at the beginning. I can understand why, but starting with that might put off older actors who dont feel like they have that option. Rather than being inclusive of actors of all ages and situations, it limits the target audience to very young people. If you can get past this though, there is a wealth of information to be found.
One of the best things about this book is how easy it is to read, and how simple the instructions are to follow. Its great for anyone starting out.
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Click on the cover image above to read some pages of this book! Formatting may be different depending on your device and eBook type. A book that will stand the test of time for any actor in the making, a book of knowledge and hard-earned commitment to the art of acting"- Pierce Brosnan An essential guide to mastering the Stanislavski technique, filtering out the complexities of the system and offering a dynamic, hands-on approach. In-Depth Acting provides a comprehensive understanding of character, preparation, text, subtext and objectives. How to prepare for drama school and professional auditions? How to develop a 3-dimensional, truthful character? Preparation exercises to help you get in character?
In-Depth Acting [Dee Cannon] on upprevention.org *FREE* shipping on qualifying offers. A book that will stand the test of time – Pierce Brosnan An essential guide .
virat kohli date of birth and time
She was instrumental in being one of the first practitioners to bring over the Stanislavski technique - method acting from the USA. This was the first "Method" school to open in the United Kingdom., She is also a director in her own right and has directed over 30 plays.
Monologues are an essential part of every actor's toolkit. Actors need them for drama school entry, training, showcases and when auditioning for roles in the industry. Following on from the bestselling first volume and second volume I hope it will go into secondary school libraries and be recommended by drama teachers and careers advisers' The Stage 'In-Depth Acting is alike to the Swiss Army Knife for an actor, small yet undeniably helpful in almost every situation - ' The Public Reviews 'A concise, accessible and straightforward introduction to Stanislavskian technique - which balances process with practical outcomes, skills with achievements, the craft of acting with concrete performance - There is much good and focused advice here for young actors approaching unfamiliar tasks and unfamiliar texts - Cannon includes some superbly clear and practical advice on the selection of monologues' Stanislavski Studies 'A wonderful, succinct book that no student or professional actor should be without. She is considered to be one of the top acting teachers in the country specialising in Stanislavski technique.