Goya: los fusilamientos del 3 de mayo by Richard TungelMadrid. 18 cm. 46 p., 13 h. de lám., 1 h. de lám. col. pleg. Encuadernación en tapa blanda de editorial ilustrada. Colección Obras maestras del arte universal, numero coleccion(7). Versión. del alemán de Heidi Wiens. Bibliografía: p. 46. Goya, Francisco de. 1746-1828. Los fusilamientos del 3 de mayo .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-85892-089
Jose Mota - Los fusilamientos de Goya
Francisco de Goya's El 3 de mayo en Madrid: Los fusilamientos en la montaña del Principe Pío
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In the work, Goya sought to commemorate Spanish resistance to Napoleon 's armies during the occupation of in the Peninsular War. Along with its companion piece of the same size, The Second of May or The Charge of the Mamelukes , it was commissioned by the provisional government of Spain at Goya's suggestion. The painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. Because Spain controlled access to the Mediterranean, the country was politically and strategically important to French interests. Even in his own court he was seen as a "half-wit king who renounces cares of state for the satisfaction of hunting",  and a cuckold unable to control his energetic wife, Maria Luisa of Parma.
From Wikimedia Commons, the free media repository. Francisco Goya. Museo del Prado 19th century. P Museo del Prado. Subcategories This category has the following 3 subcategories, out of 3 total.